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COMMUNICATION ARTS DESIGN ANNUAL 57 Gloria Pizzilli bohan ioulex Stimulant Exhibit September/October 2016 Twenty-Four Dollars atedge At Edge connects the world’s most talented assignment photographers with the most active and influential art directors. 54 ioulex by Dzana Tsomondo This powerful duo transcends the solitary nature of photography with a dreamy style all their own.
photographer represented by Jason Lindsey Sherry Riad 2 where visionaries unite 8 SEPTEMBER/OCTOBER 2016 VOLUME 58 NUMBER 4 COMMUNICATION ARTS �� �� �� �� FEATURES 38 Gloria Pizzilli by Bonnie Smetts The Italian illustrator’s complex work plays with the opposing forces of beauty and ugliness. 172; integrated branding for My Kingdom for a Horse, p. 62 Stimulant by Sam Mc Millan The San Francisco–based experiential studio brings dreams to life through digital interactions. Coyne The latest and best in visual communication from here and abroad.
“I only wish I’d had more time to appreciate them.” “The strongest designs bubbled quickly to the surface,” juror Jennifer Sonderby says.
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“I was aghast to find one singular approach to typography becoming so viral.” “The abundance of entries in the style of the modern craft movement disappointed me most,” says Pipitone.
“It’s hard to do well, and just a handful of people were really able to nail it.” “There is always a tendency for designers to decorate rather than 8 Design Annual 2016 communicate,” Swieter says.
“I was surprised at the high quality and wide breadth of work in the spirits packaging category and some of the integrated branding examples,” juror John Swieter says.
“The integrated and environmental graphics categories brought in the most interesting work,” says juror Larry Pipitone.
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All payments in US dollars, Canadian GST: 127848620. O CT 31 , 20 EDITOR’S COLUMN Patrick Coyne W e experienced a 3.5 percent increase in entries to this year’s design competition.